Apple audio books11/20/2023 narrator recites them with a solemnity better suited to The 9/11 Commission Report.īut books like When Your Baby Won’t Stop Crying by Tonja Krautter are ideal candidates for A.I. Similarly, even when the anecdotes in 101 Fascinating Hockey Facts are meant to be amusing, the A.I. Like fiction, narrative nonfiction that relies on scenes with dialog, such as a biography of the founder of the National Film Board of Canada, runs into the problem of A.I. There are a handful of nonfiction books (many of them Canadian, for some reason) in Apple’s A.I.-narrated stable. “You need that human factor in storytelling,” Ballerini said. someday emerges that can alter its voice depending on who’s speaking, as Zeller pointed out, “Context is everything, and we may make a different choice about the way that a sentence is delivered because of who is saying it to whom at any given time in the story.” The whole point of fiction, particularly genre fiction, is to deliver an emotional experience, and a narrator definitionally incapable of having an emotional experience seems unlikely to be able to make artful decisions about how to read a dramatic scene. Professional narrators like Ballerini and Zeller create distinct voices for the dialogue of each character in a novel. Listening to Madison narrating The Lady’s Deception, a Regency-era gothic by Susanna Craig, poses the question: Can a runaway English bride find love with a haunted Irish rebel if they both sound like the exact same 21 st-century American woman? He’s appalled that his family has relocated him beyond the sticks, but the line registers as nonsensical when read with the flat intonation of the A.I. “We didn’t just move to Huxbury, we moved to the outskirts of Huxbury,” complains the 11-year-old narrator of the middle-grade novel From Ant to Eagle by Alex Little. “ ‘Don’t let go of me!’ she shouted,” recited Jackson with zombie-like placidity.Īnother thing the A.I.
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